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Re: FontLab 7 workflow tips
My pro tip if you're working on variable fonts: use Alt+< / Alt+> (well, technically, Alt+, Alt+.) to switch between layers / masters. Or am I the only one who discovered this only after a year…3 -
Re: Semi-inversed contrast display COMIC font.
Your hunches are good, B needs to be less dramatic (now it reads as P — and P needs to have more room below the bowl so as not to be read as D).U needs more balance/symmetry.Maybe you could have a J …1 -
Re: Why is this hard to read?
[ Just asking: this is lettering/logotype, right? Why call it a typeface? — misleading for newbies. ] The /A is a bit deformed (flattened in the thin part) and the curly inner tip is not very gracefu…2 -
Re: How to design a curve
As much as I like the ring of this statement, with which I generally agree... on rare occasions, there are situations when vectors reveal issues you couldn’t expect to anticipate in your mind or eve…2 -
Re: The Future of Font Naming: is it still unethical to use the same font name?
There is something worse than the feeling of finding out your perfect name has been taken by a trashy DaFont: the feeling of finding out your perfect name has been taken by another great font. From h…1
